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Thursday, July 31, 2008

ABS Editor Cindy Gimbrone Goes Red Hot Crazy!


I've gone crazy. That's the only way to explain it.
That or the heat got to me.
Fried my frontal lobes so I couldn't reason properly.

Seemed like a good idea when I volunteered. Panic started to set in. How was I going to do two projects? I started to surf the 'net to avoid the whole situation. Ah but nothing like another blog to help you out!

Enter Deryn Mentock's Something Sublime and her Jewelry Challenge using Mary Hettmansperger's new book, Wrap, Stitch, Fold & Rivet. I loved Mary's first book and this one is even better! I bought it immediately and decided I had to do "Project 3: Bead Shelf Necklace."



It was perfect for a phrase that's been running through my head lately,

what lies beneath

I wanted to show a little scene where on the surface it looked one way yet under the shelf or beneath it, you'd see something different. I wanted to keep the copper, antiqued and verdigris colors so I incorporated my flameworked glass beads and spirals in copper green, gaia and opal yellow. The spirals represent those things or situations in our lives that haven't been worked out and keep coming back to us - like in a spiral. I've left a hole on the shelf empty as if it's a hole in the ground, a way for those above to look in and see if they can see what's there.





The completed project is supposed to be a necklace but I wanted this to hang on my wall. Perfect for Ornament Thursday, a small wall ornament.

Let's see what the other Ornament Thursday Girls have created for this month...
Art Bead Scene
ABS Editor Cindy Gimbrone Goes Red Hot Crazy!

Beading Help Web is RED HOT!
Lynn Kvigne takes up the torch and shows you how to make a toe ring using fine silver.

Cindy Gimbrone aka Lampwork Diva
Trendy, Popular and Red Hot!

It's Red Hot July in Arizona!
Lisa finally finishes a project from over a year ago. Check out this "hot" take on a changeable necklace.

Katie's Bead Blog
Check out Katie's Red Hot faux coral necklace! It's a punch of color with a summery feel.

Linda Ausburg at BeadStyle Magazine
Linda shares a red-hot card she created.

Michelle is RED HOT!
Well, really, Margot is...

Savvy Crafter
Hotsie Totsie Plexi-glass Flower pendant over on Candie's blog!

Strands of Beads
The heat is rising, and Melissa is making a Red Hot Firecracker necklace!

Swell Designer a.k.a. Alexa Westerfield
The Swelldesigner gets red hot with a Hunka Hunka Burner Necklace!

Too Red Hot
Our own Michelle Zimmerman has been hard at work this month sculpting a devil of a project for your enjoyment.

Wednesday, July 30, 2008

Great Bead Books- Old & New

Like most (tell me I'm not the only one!) bead crazed folks, I simply cannot resist a new bead book on the market. To add to the pain of my pocketbook, I usually can't wait for regular Amazon.com shipment and thus purchase full retail price at Barnes and Noble as soon as the book hits the crafts section. Here are some of my past and recent favorites:

Since I love history and primitive bead making cultures, my bookcase is groaning under the weight of Collectible Beads- A Universal Aesthetic, by Robert K. Liu, 1995. This oversize book is a treasure trove of "ancient, ethnographic and contemporary beads, recognizing them as a revealing and inspiring symbol of humanity's cultural and spiritual aspirations," with 300 photos of ancient and modern beadwork.


In that same vein of thought, there is Beadwork- A World Guide by Caroline Crabtree and Pam Stallebrass, published by Rizzoli in 2002. What I love about this book is the incredible diversity of bead cultures featured from around the world from African tribes to Native American Indian tribes and many more, with amazing color photographs. Incredibly detailed and exhaustively researched, I highly recommend it for a bead enthusiast's library.


Five designers teach us how to make glass, metal, polymer clay and fiber beads in the wonderful Making Beautiful Beads, published by Lark books 2003. It has excellent tutorials with color photographs to demonstrate techniques. Each section features a lengthy "introduction to" a certain medium and then variations of techniques that are different, inspiring and concise enough to refer to for years past the introductory stages.


For the polymer bead artist or prospective artist, I highly recommend Making Polymer Clay Beads by Carol Blackburn, published by Interweave Press 2007. It is exactly what is says on the cover, "step by step techniques for creating beautiful ornamental beads." It covers everything from tools and brands of clay, to conditioning, skinner blends, inclusions, varnishes, metallic powders, and on to wonderful techniques of combing and feathering, how to use bead rollers, drilling, sanding and polishing. It is quite comprehensive. I mean, who knew you can make polymer beads that look like leather?


Just to make my life more difficult for those of us who can't resist delving into new projects no matter how many are piled in the corner, Julia S. Pretl wrote Bead Knitted Bags, 10 projects for Beaders & Knitters. Oh, my goodness, what amazingly beautiful bags. I went totally insane over which gorgeous project to begin first. If you are overwhelmed with projects like me, it will be slow going, as the work is quite small and requires intense concentration, but it comes complete with a DVD that includes 10 printable patterns and 20 video tutorials.


Julia Pretl is also a featured artist in another book nestled on my table, Beading for the Soul, by Deborah Cannarella, published again by Interweave Press 2005. This book explores the "personal power of beads" with 26 inspirational projects from 23 designers. From prayer beads to woven Chinese Good Fortune pouches, you can create sacred beaded objects and adornments with the aid of terrific instructional panels and tutorials. Eleanor Wiley's Handheld Prayer Beads section has a particularly powerful resonance.


Decorative Ornament- More Than 2,350 Historical Designs and Patterns by Owen Jones, is an invaluable resource for color reference for the beader and jewelry designer. Get out your post it stickies and get ready for color combination inspiration on almost every page. This 432 page volume, published in 2006 by Tess Press, is a feast for the designer's eyes. It covers design and ornament of Savage Tribes, Egyptian, Assyrian & Persian, Greek, Pompeian, Roman, Byzantine, Arabian, Turkish, Moresque, Indian, Hindu, Chinese, Celtic, Medieval, Renaissance, Elizabethan, Italian and Leaves and Flowers from Nature Ornament. The colorful illustrations will have you at your sketchbooks in a jiffy and if you are blocked for color combination ideas, this book will get you back on track in no time at all.


Last but not least on my list is Beaded Jewelry- The Complete Guide by Susan Ray, published by Krause Publications 2007. This is my most recent bead book acquisition and it is already a treasured volume. Susan begins her book with a history of beads, with recommended reading lists, and moves on to color expressions, supply sources, care of beads, types of beads, tools and their usage. From there she delves into specialized areas of bead making such as lampwork and polymer, then discusses stringing techniques, findings and closures, to name a few. It has many projects, inspiring photographs, and a very user friendly format.


By no means is this list an exhaustive one. There are many more book sources of inspiration and technical prowess. I hope if you don't have these titles you will search them out at your library or bookstore. And always, have fun!

Written by guest editor Jennifer Stumpf. You can read Jennifer's blog www.jenniferstumpf.blogspot.com and see her art beads and jewelry at her website www.jenniferstumpf.com and etsy shop www.jenniferstumpf.etsy.com.

Ornament Thursday Red Hot Teaser



Art Bead Scene Editor is Red Hot this month creating two projects for Ornament Thursday! One for Art Bead Scene and another for Lampwork Diva!

To give you an hint of what's in store, the OT gang posted a teaser, so until tomorrow, here's a sneaky peeky...

Tuesday, July 29, 2008

Wikibeadia: Kiln Annealed?


(Flameworked glass beads by Cindy Gimbrone)


(Fused glass gem by Lynn Davis)


When buying glass beads and/or fused glass one important feature handmade glass art beads typically have that craft store beads don't have is artists will kiln anneal their glass beads.

Why should you care about kiln annealing? Kiln annealing strengthens glass by allowing the glass to cool very, very, very slowly. If properly done, it relieves any stress in the glass and the beads won't crack.

Below is a picture of a set of glass beads I purchased at a local craft store:



As a glass beadmaker, I know by where the crack is, that the bead has not been kiln annealed. A crack along the bead hole means the glass cooled too quickly. Glass cools too quickly when it hasn't been placed in a heated kiln.

Here's a picture of me placing a hot glass bead into my heated kiln to anneal. Notice the temperature on the kiln reads 968 Fahrenheit, the proper temperature to anneal soda lime glass. (Ignore the hat and sweatshirt, it was the winter and my studio is unheated.) My kiln has an automatic cut off switch so when I open it, the electricity to the kiln shuts off. An important safety feature as are my safety glasses, my kevlar gloves and leather apron.



Did you know a properly annealed glass bead will bounce rather than break when dropped on the floor? Although I don't recommend you start dribbling your glass beads, I have dropped them on my concrete floor by accident and they do bounce.

So when buying art glass beads, check to for the words "kiln annealed" to ensure your treasure will last a lifetime.

Written by Cindy Gimbrone, glass beadmaker, who's accidentally bounced many beads off her studio floor.