this is a great point. I can’t promise I’ll update the game, as I may not have the correct files any more, but I’ll at least take a look. Thanks for your thoughtful feedback. 

that’s fine with me, as long as your existing work does not violate the other rules of the jam

I care a lot about the setting of any particular tabletop game.

Thanks! Minas Tirith in particular was a big influence on this game lol

thank you boss 🫡

3 to 6

It is impossible for a game to force you to play by its rules. That’s one of the neat things about tabletop games, especially crunchy ones- you can always resist the designer’s influence. 

That said, Triangle Agency is absolutely trying to control you. 

This is such a cool idea, thank you for writing this!

thank you so much for your kind words and time!!! 

thanks so much for reading it Ennio!!!

Hey Elliot, I'm getting an error at 950, saying that the path is invalid. Any idea how I can fix this? 

haha thanks so much Lex!

thank you so much for reading it!!! Truly grateful you’re spending time on my work. 

I think plenty of long-running campaigns could do with a chance to let your traumatized OCs dip their toes in the sand. But its opening page is something I want to dig into further, because I think Beach Episode’s safe exterior comes into conflict with a relatively new notion in the gaming space.

the game is scheduled to launch September 24! 

Nguyen’s works place the player in the position of being one of the least powerful people, a civilian from South Vietnam, caught between the oncoming communist forces and suffering under American occupation. The emotion and sincerity of both texts is undeniable, and the perspective they espouse is one of desperation, horror, and the sheer difficulty of survival. 

Thanks for writing. I'll be thinking about this for a long time.