While Dragon’s Dogma: Dark Arisen was my comfort game and aesthetically I adore Dragon’s Dogma 2, I feel it was a missed opportunity to create a legendary game. Capcom (at least as of December 2025) seems to have just given up and buried it. It’s a shame, because while I enjoyed the experience a lot, the story feels patchy. You’re put in the role of a sort of messiah that no one really wants, and several parallel stories are happening around you, but none of them feel like *your* story—you’re just intervening without feeling truly important, which creates a sense of confusion.

The game has its own language, a very specific way of seeing itself and telling its story, which personally I find wonderful.

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• The game’s aesthetic and atmosphere are stunning, and it has a unique identity that’s immediately recognizable.
  
• Combat and core mechanics are solid and fun, true to the Dragon’s Dogma legacy.
  
• Exploration is enjoyable the first time, with lots of secrets and events that make the world feel alive.
  
• The story and lore, while disjointed, have moments that are genuinely captivating.

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• Compared to DDDA, it feels lacking—less enemy variety and fewer spontaneous world events.
  
• Exploration becomes repetitive after a while because events start feeling similar and predictable.
  
• The story feels fragmented and sometimes puts you in a passive role rather than making you the central character.
  
• Capcom launched the game with a massive amount of microDLCs. While optional, it feels like items were taken out of the base game just to charge extra—a terrible move for fans.

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Dragon’s Dogma 2 is a very good game that’s been let down by missed opportunities and questionable business decisions. It has a beautiful identity and enjoyable mechanics, but it leaves a bitter taste for fans hoping for something legendary.

I went into this remaster with genuine skepticism. Reviews were somewhat negative, and having played the original on Xbox 360 (and a bit of the first Steam remaster), I was afraid this would be a disaster.
After actually playing it… I honestly don’t get the outrage. This remaster is *good*. Surprisingly good.

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• A faithful graphical update that manages to modernize the 2005 look while staying true to the original’s spirit.
  
• The soundtrack remains untouched, and the game’s signature charm shines even brighter now.
  
• Quality-of-life improvements are excellent: functional AI, slightly longer-lasting weapons, and far less clunky controls.
  
• Fully voiced dialogue adds personality and warmth to scenes that were previously silent.

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• Maybe it get's a little too easy in the first run, which makes me desire a *Hard* mode
  
• The avalanche of paid DLC is tiring. It’s not essential, but it feels unnecessary for a remaster.
  
• The outrage about the removed “erotica” photo category feels exaggerated — 95% of the content is unchanged, and the previous remaster still includes it.

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Dead Rising Deluxe Remaster respects the original, smooths out its roughest edges, and brings a ton of comfort improvements without losing the game’s identity.
Well-optimized, charming, and fun — far better than the negativity online would have you believe.

Coming from EUIV and CK3, talking about EUV is tricky. The game throws a billion new features at you, some inherited or refined from previous Paradox titles, and even a few that feel straight out of Victoria 3. There’s a lot happening at once. Automation helps, but… there is A LOT to manage. And that’s great, but also overwhelming. The real danger is relying too much on automation and ending up watching a screensaver of maps and menus without knowing what to do next.

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• Honestly, almost everything – It’s EUV with the best parts of previous Paradox games, but enhanced.
  
• The music – Beautiful, progressive, and layered as the campaign goes on.
  
• The UI – Despite the game’s depth, it’s surprisingly well-designed and integrated.

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• Not the most welcoming Paradox title – I’m not sure I’d recommend EUV as someone’s first grand strategy game.
  
• It can be VERY stressful – During crisis moments, so many things happen at once that it’s hard to decide what to prioritize.
  
• Some mechanics feel slightly incoherent – Even though they’re improved, a few could use clearer logic or explanations.
  
• I miss the custom nation feature – Like in EUIV. I suspect it will return later, but it’s not here yet.

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Europa Universalis V isn’t for everyone, but for those of us who love Paradox titles, this is a massive game we’ll be playing for years. My only real concern —and sadly a justified one— is the possibility of an overwhelming DLC overload instead of strong, content-rich expansions. Still, EUV stands as a fantastic grand strategy experience that deserves your time if you’re into the genre.

I bought FFXV without any preconceptions—just knowing it evolved from the cancelled Versus XIII. I wasn’t expecting much, and as someone who’s not a huge Nomura fan, I assumed it’d be mediocre at best. Turns out, I was wrong. While it feels like a missed opportunity to be something far bigger, it holds up decently in its own style—though it needs some nuance.

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• Soundtrack – One of the best in the series. Opera-classical and rock opera elements shine throughout.
  
• Character Dynamics – The interactions and evolution of the main cast are genuinely charming and give the game its unique flavor.
  
• Gameplay – Not your typical FF mechanics, but within its style it’s fun and engaging.
  
• The Regalia – Feels like a character in itself, adding depth and serving as the stage for side stories.
  
• New Game + – Adds replay value and extra layers to the experience.

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• Missed Opportunities – The game could have been much more than it turned out to be.
  
• DLC Story Bits – Decent on their own, but the main narrative feels patched together and lacks depth.
  
• Pacing & Development – Story momentum shifts noticeably; the development feels uneven.
  
• Empty World – Only two fully populated cities; side-quests are generally unremarkable.
  
• Mixed-Media Requirement – Understanding the full plot needs external materials, which is both frustrating and appreciated.
  
• Multiplayer Story – Beautiful story that not many players engage with in multiplayer.

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I can recommend FFXV, but it’s bittersweet. The list of good things outweighs the flaws, yet the negatives are hard to ignore. It’s a game with charm, beauty, and unique moments, but I often wish I could hit a “Recommend, but…” button.

This game had me hooked for a while, and I still revisit it from time to time in its more modern form, Bannerlord. Mount & Blade: Warband surprised me with its historical-fiction setting, offering a deep world where the player can truly interact and influence everything from politics to warfare.

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• Unique Gameplay – A strategy game experienced in first-person as a captain, letting you directly influence politics and battles.
  
• Diplomacy & Strategy – Politics, alliances, and negotiation are well-crafted and deeply integrated; it’s genuinely fun to play with.
  
• Battles – Massive and demanding, keeping you alert to manage troops while keeping your own health and role in check.
  
• Gender Dynamics – Playing as male or female significantly changes diplomacy and life outcomes, offering a hands-on experience of inequality and social roles.
  
• Immersive Setting – The world feels alive, and the atmosphere is top-notch.

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• Music & Sound – Practically nonexistent outside the title screen, and some in-game sounds feel out of place; likely a technical limitation of 2010.
  
• AI Patterns – After many hours, the AI starts to show predictable patterns, reducing the feeling of difficulty.
  
• Complex Lore – The depth of the world is incredible, but it can be challenging to fully grasp at first.

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Mount & Blade: Warband is a rare gem that mixes strategy, politics, and first-person combat in a way few games manage. It’s deep, challenging, and immersive, and even after years it still holds up as a game that rewards curiosity and experimentation.

I originally played New Vegas on Xbox 360 and completed all achievements including its DLCs back then. Now revisiting it, I have to say: despite being INCREDIBLE and still holding up in gameplay and story, this game desperately needs a remaster, like Oblivion got.

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• Story & Characters – Absolutely memorable. Characters like Veronica and Raul still stand out and are beloved today.
  
• Moments & Companions – Deep, engaging companion system without ever feeling burdensome; some moments are legendary.
  
• DLCs – All expansions complement and build on the base game. A benchmark for how DLCs should be done.
  
• Gameplay – Age aside, the mechanics are still solid and enjoyable.
  
• Music – Mixes tracks from Fallout 1 & 2 with original compositions, perfectly capturing the post-apocalyptic western vibe.

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• Radio – Not bad, but can feel repetitive over time; on PC, some bugs in certain languages cut songs or repeat tracks.
  
• Bugs – Even at launch, the game needed fixes, especially on PC, while console versions ran smoother.
  
• Graphics – The visuals are dated, and although the vibe works, it’s time for a polish/remaster.

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Aside from a few minor flaws, Fallout: New Vegas is a must-play. Its story is phenomenal even today, and it cemented the "West Coast arc" of the series, while Fallout 1, 2, and NV form a legendary trilogy. If you’re a fan of the series, you can’t miss it.

An action RPG that got overshadowed by Skyrim at launch? Yep. An incredible game that absolutely deserves your attention? Also, yep. Dragon’s Dogma is one of those hidden gems you discover late, but it sticks with you forever.

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• Combat Fun – Climbing onto a griffin mid-flight or smashing an ogre never gets old. Truly exhilarating action.
  
• Dark Fantasy Vibes – The story mixes Berserk, Camelot, and classic dark fantasy. If that’s your thing, this game hooks you instantly.
  
• Pawn System – Creating your own sidekick and seeing how others use them is surprisingly engaging and unique.
  
• Replayability – Hidden quest details, experimenting with builds… there’s always something new to try.
  
• Art Style – From 2011, but it blends Dark Souls-like environments with dark anime aesthetics really well.

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• Side Quests – Sometimes feel like a chore. Escort missions can be dull, no matter the fantasy setting.
  
• Bitterblack Isle Grind – Fantastic content, but can turn into repetitive grinding if you’re not into that.
  
• Gear Farming – Getting top-tier equipment can test your patience quickly.

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Dragon’s Dogma feels like that quiet friend who doesn’t seek attention but ends up changing your gaming life when you give it a chance. Not perfect, but the things it does well are so strong that the flaws are easy to overlook. If you love dark fantasy, epic combat, and a true sense of adventure, this one’s for you.

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🎮 Pro Tip: Experiment with different Pawns and builds—there’s always a new strategy to discover. ⚔️🛡️

Palworld is a fever dream of a game. It throws adorable monster-catching mechanics into a world of dark humor, automation, and survival chaos. It’s quirky, unsettling, and somehow still charming.

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• Monster Designs – Obviously Pokémon-inspired, but they bring enough charm to stand on their own. Cute and weird at the same time.
  
• Bold Themes – Tackling forced labor and even cannibalism is dark, but so over-the-top it feels like the game is in on the joke.
  
• Vibrant World – Bright, colorful, and full of personality. Every corner makes you want to explore.

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• Uncomfortable Mechanics – Enslaving or arming monsters is funny at first but quickly feels unsettling. The message can be murky.
  
• Repetitive Gameplay – Once the novelty wears off, it can feel like going through the motions.
  
• Solo Experience Feels Empty – The world is huge, but playing alone can feel lonely, similar to other survival games.

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Palworld doesn’t always hit the mark, but it’s impossible to ignore how bold and unique it is. If you’re in the mood for something unapologetically weird and chaotic, this one’s worth checking out.

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