Limited inventory space leads to a lot of back-tracking that feels arbitrary, but it doesn't detract much from the overall experience, which is a well-crafted robot lesbian survival horror,

good game, mediocre port

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There's nothing inherently wrong with a game that sacrifices engaging mechanics and focuses solely on the plot. There is something wrong, however, when there's nothing remarkable or memorable about the game's narrative. Interactive experiences like these, where you explore a story through flashbacks, hold potential for far better stories. With Life is Strange and Gone Home having been released years ago now, can we finally begin to explore concepts other than the bland, predictable "two teenage girls in suburban America become friends then fight then become friends again?"