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Showing posts with label Technique Tutorial. Show all posts
Showing posts with label Technique Tutorial. Show all posts

Wednesday, April 10, 2019

Blackout Poetry 101

I've been teaching a workshops in my hometown of Grand Forks, North Dakota for a few years now and I've got one coming up at the Grand Forks Public Library. In honor of National Poetry Month, I'm teaching a mixed media blackout poetry class! 

Not familiar with blackout poetry? Essentially, you create a "poem" by blacking out words on a book page, leaving behind a specific selection of words. 

Here are some examples of my blackout poetry, which I also pair with artwork: 

RISE




LIMITLESS AND STRONG



WILD FOLK



So how do you go about finding a blackout poem? It can be a little more challenging than you'd believe. I'm going to break it down into simple steps. 

STEP 1: FIND A BOOK




I did say simple, right? 

When I first began creating blackout poetry artwork, I thought I'd go through every single page in the Odyssey and create a poem per page - sort of an epic tribute to a, well... epic poem. :) 

But it quickly became apparent that. not every page holds a poem (or at least not a poem that appeals to me, personally). 

Which brings me to 


STEP 2: FIND AN INTERESTING PHRASE ON A PAGE AND CIRCLE IT LIGHTLY IN PENCIL


I found the phrase "than a woman who imagines" and circled it lightly (more on that later) in pencil. Most of my artwork involves strong, female-centric themes, so I was specifically drawn to that phrase. 

STEP 3: START BUILDING YOUR POEM
Once you have your phrase, start building your poem by looking for other things that might complete the phrase or sentence. It's important as you're looking that you skim over the words and don't read full sentences of the book, or you'll start to get really sidetracked, really fast (at least if you're me). 

As I was building this poem, I thought, for a woman who imagines WHAT? and built "than a woman who imagines herself and all womankind" 

and all womankind WHAT?

Later on the page I found the word "wondrous". 

STEP 4: KEEP ADDING WORDS
AND ERASE WHERE NECESSARY


So. I had the latter part of my poem built "Than a woman who imagines herself and all womankind wondrous" but I had nothing to start my poem. I thought maybe I could build something along the lines of "There is nothing stronger than a woman who imagines herself and all womankind wondrous".

When you're working with a book page, however,
not all the words you're hoping for are going to
magically appear on the page

So I came across the words "the voice of" but that didn't pair with "than a woman who". To pair it correctly I need to erase the "than" from my phrase. Now I had something that worked "the voice of a woman who". 


As I searched for verbs that could begin my phrase, I found three and lightly circled them. "raising" "fighting" and "raised". 

Then, I looked for my bridge and found "with" which told me that I knew I needed to go with "fighting" because it was the only word that made sense. 

STEP 5: ERASE ALL UNNECESSARY WORDS AND HEAVILY BOX IN YOUR FINAL POEM

 My final poem reads "Fighting with the voice of a woman who imagines herself and all womankind wondrous". 

Pretty marvelous huh? 

Poems can be short or long. They can span the whole page or just part of it - the creativity is yours. 

For those here who are taking my class and finding this intimidating - have no fear! I will have a selection of poems for you to choose from, if you don't want to create your own. :) 

Happy creating!


Monday, October 15, 2018

Stenciling Techniques - Sanna Lippert New Release

It's a paaaaaarty! A new release party that is! Sanna Lipper, one of the fab-o designers at STAMPlorations has released a whole new line of stencils. And we got to have a crafty play. They are all so gorgeous and perfect for mixed media play.


Today I'm going to be showing you a cool stenciling technique using Distress Oxides. 
This technique is actually the reverse of stenciling because you're taking OFF the color with a stencil, instead of applying it. 


Step 1: Sponge on a healthy layer of Distress Oxide onto a dark piece of cardstock. Because oxides are highly pigmented, they are designed to sit on top of the dark color. I used Broken China Oxides over a navy blue paper. 


Step 2: Bust out your stencil and tape it down so it won't move. Dampen a piece of paper towel, using a small amount of water (you don't want it too wet or your cardstock will pill). Wipe wipe wipe wipe wipe. The color will start to lift right off.


Step 3: Remove stencil and oooh and aaaah... I love the pattern of this Cornflower stencil.