Последование (ακολουθία, a following) is a performative sequence of ritual events, a liturgical cycle.

Digital Ritual / Interactive Installation / Rhythm / Experimental / Art Game

The project was exhibited at A MAZE Berlin in 2025.

Also known as Technoccult Timæus, this is an exploration of symbols in an interactive environment. A meditation on decay and death. A futile attempt to accept the transience of the world. A rite in the vein of katabasis and theurgy. A ritual simulator. A digital liturgy for our age.

Experimenting with glitch and industrial aesthetics, and incorporating “controlled chance” as a primary driving force, this performative piece requires the viewer's active participation and can serve as a divination or meditation tool.

Cryptic symbols, occult imagery, and actual spells tear up the black screen, come into a brief contact with the audience and fade away, as they give way to new images and sounds, creating an intense experience that culminates in disintegration and entropy, a point of complete void.

POSLEDOVANIE is a very musical piece, inspired by the darker side of the Industrial Techno scene, as well as Modernist and Avant-garde art movements. Each session can be described as an audiovisual symphony of lights.

Original prototype was created for the “Aging”  jam hosted by A MAZE Berlin in March 2025.

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“Often I have woken up out of the body into myself, and, beyond all other things I have gone into myself. I have seen a most wonderful beauty and felt more than ever assured of communion with a higher order, experiencing the best life and becoming one with the divine. After being in the divine, I came back down from the spiritual to the mental. I am puzzled that I can now be coming down and how my soul ever came to be in the body, after she has revealed what she really is.”

— Plotinus

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