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ALRNCN complies with the RTA code (Restricted to Adults). Access to the site can be easily blocked using parental control tools. It is necessary that parents and guardians take measures to prevent minors from accessing inappropriate content, especially those restricted by age.
Anyone who has minors in their care should implement basic parental control measures, both at the hardware and software level, or filtering services to block minors' access to inappropriate content.
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Published on 2026/05/07
THE BELL WOMAN AND OTHER THINGS
We can safely say that this week�s biggest internet absurdity is going to be the naked woman acting as a human bell clapper inside a giant bell at the Venice Biennale.
The origin of all this madness is SEAWORLD VENICE, the Austrian pavilion at the 61st Venice Biennale, which feels like some bizarre mix of extreme performance art, dystopian circus, aquatic ritual, and a lost episode of Black Mirror directed by someone who clearly starts the day with psychedelic mushrooms for breakfast.
In the videos you�ll see completely naked women hanging from enormous bells, suspended over artificial rivers, trapped inside giant water-filled cubes, or riding jet skis naked inside installations that look straight out of some very weird post-apocalyptic future.
The mastermind behind this visual insanity is Florentina Holzinger, an Austrian performer famous for pushing the human body to its limits through nudity, acrobatics, pain, physical risk, sexuality, and extreme spectacle.
Apparently, the whole concept revolves around water, the human body, technology, environmental collapse, and vulnerability. Although, let�s be honest, as you�ve probably already guessed, most people online are way too busy trying to process why there�s a naked woman functioning as a human bell inside a giant art installation.
# View photos and videos
ExtraBall
Deep throat.
ExtraBall2
THE BELL WOMAN AND OTHER THINGS
We can safely say that this week�s biggest internet absurdity is going to be the naked woman acting as a human bell clapper inside a giant bell at the Venice Biennale.
The origin of all this madness is SEAWORLD VENICE, the Austrian pavilion at the 61st Venice Biennale, which feels like some bizarre mix of extreme performance art, dystopian circus, aquatic ritual, and a lost episode of Black Mirror directed by someone who clearly starts the day with psychedelic mushrooms for breakfast.
In the videos you�ll see completely naked women hanging from enormous bells, suspended over artificial rivers, trapped inside giant water-filled cubes, or riding jet skis naked inside installations that look straight out of some very weird post-apocalyptic future.
The mastermind behind this visual insanity is Florentina Holzinger, an Austrian performer famous for pushing the human body to its limits through nudity, acrobatics, pain, physical risk, sexuality, and extreme spectacle.
Apparently, the whole concept revolves around water, the human body, technology, environmental collapse, and vulnerability. Although, let�s be honest, as you�ve probably already guessed, most people online are way too busy trying to process why there�s a naked woman functioning as a human bell inside a giant art installation.
# View photos and videos
ExtraBall
Deep throat.
ExtraBall2
Published on 2026/04/10
COSMETIC SURGERY
Cosmetic surgery has become, for many women, the final step after everything else has already been tried.
We�re living in a time where image doesn�t just matter� it�s built. Filters, retouching, apps that slim your face, smooth your skin, lift your cheekbones, and widen your eyes in seconds. Today, anyone can look amazing on a screen. The problem is, that version doesn�t always exist in real life.
For years, makeup played that role. Then came shapewear, push-up bras, posture tricks, lighting� small tools to get closer to an idea of beauty. But now the reference isn�t an improved version of yourself anymore � it�s a digitally perfect version that often can�t be reached in the real world.
That�s where surgery comes in. Not as a first option, but as a last resort. When everything else falls short. When the mirror doesn�t match what your phone camera shows. When the gap between social media and real life becomes too obvious to ignore.
The surgeon stops being a choice and starts becoming a tool to close that gap. A way to bring the body closer to that image that�s already been validated, liked, and shared. It�s not just about changing something� it�s about making real a version that already exists � even if only digitally.
And that�s where things get tricky. Because that reference isn�t fixed. It shifts. It evolves. It follows trends, algorithms, whatever gets attention at the moment. What�s ideal today might feel outdated tomorrow. And then the race doesn�t end� it starts over.
In the end, it�s less about aesthetics and more about perception. About how we see ourselves, how we want to be seen, and how far we�re willing to go to make those two match.
Because when reality can�t keep up with the image� the temptation is always to change reality.
# Watch images and videos
ExtraBall by david
Following the guide, chasing the famous Bouma waterfalls on Taveuni Island, Fiji.
ExtraBall2
COSMETIC SURGERY
Cosmetic surgery has become, for many women, the final step after everything else has already been tried.
We�re living in a time where image doesn�t just matter� it�s built. Filters, retouching, apps that slim your face, smooth your skin, lift your cheekbones, and widen your eyes in seconds. Today, anyone can look amazing on a screen. The problem is, that version doesn�t always exist in real life.
For years, makeup played that role. Then came shapewear, push-up bras, posture tricks, lighting� small tools to get closer to an idea of beauty. But now the reference isn�t an improved version of yourself anymore � it�s a digitally perfect version that often can�t be reached in the real world.
That�s where surgery comes in. Not as a first option, but as a last resort. When everything else falls short. When the mirror doesn�t match what your phone camera shows. When the gap between social media and real life becomes too obvious to ignore.
The surgeon stops being a choice and starts becoming a tool to close that gap. A way to bring the body closer to that image that�s already been validated, liked, and shared. It�s not just about changing something� it�s about making real a version that already exists � even if only digitally.
And that�s where things get tricky. Because that reference isn�t fixed. It shifts. It evolves. It follows trends, algorithms, whatever gets attention at the moment. What�s ideal today might feel outdated tomorrow. And then the race doesn�t end� it starts over.
In the end, it�s less about aesthetics and more about perception. About how we see ourselves, how we want to be seen, and how far we�re willing to go to make those two match.
Because when reality can�t keep up with the image� the temptation is always to change reality.
# Watch images and videos
ExtraBall by david
Following the guide, chasing the famous Bouma waterfalls on Taveuni Island, Fiji.
ExtraBall2
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Published on 2026/04/07
NAKED SKATING
In Hanover (Germany), quite a stir has been caused by �Crash Pipe�, an installation by Austrian artist Florentina Holzinger. It�s a large metal halfpipe-style structure designed to be used by the public, blending art, skate culture, and urban space.
The controversy kicked off during its opening: several skaters, including the artist herself, performed completely naked, wearing only protective gear. While nudity is a recurring element in Holzinger�s work, this time it has clearly split public opinion.
On one side, some people defend the piece as an artistic proposal that activates the city and encourages participation. On the other, criticism has been pretty direct: people questioning why �women always have to be naked�, pointing out that it might be an easy provocation or even something problematic in the current context of debates around female representation and gender violence.
There have also been more practical complaints, like the cost of the project (around �100,000) and the traffic disruptions caused by the installation.
Institutions backing the project present it as a space for youth, creativity, and experimentation, while others see it as unnecessary or out of place. Either way, the installation has achieved what many public artworks aim for: spark debate and question how far art in urban spaces should provoke, challenge, or involve the public.
# Watch videos
ExtraBall
Slow motion of the day.
ExtraBall2
NAKED SKATING
In Hanover (Germany), quite a stir has been caused by �Crash Pipe�, an installation by Austrian artist Florentina Holzinger. It�s a large metal halfpipe-style structure designed to be used by the public, blending art, skate culture, and urban space.
The controversy kicked off during its opening: several skaters, including the artist herself, performed completely naked, wearing only protective gear. While nudity is a recurring element in Holzinger�s work, this time it has clearly split public opinion.
On one side, some people defend the piece as an artistic proposal that activates the city and encourages participation. On the other, criticism has been pretty direct: people questioning why �women always have to be naked�, pointing out that it might be an easy provocation or even something problematic in the current context of debates around female representation and gender violence.
There have also been more practical complaints, like the cost of the project (around �100,000) and the traffic disruptions caused by the installation.
Institutions backing the project present it as a space for youth, creativity, and experimentation, while others see it as unnecessary or out of place. Either way, the installation has achieved what many public artworks aim for: spark debate and question how far art in urban spaces should provoke, challenge, or involve the public.
# Watch videos
ExtraBall
Slow motion of the day.
ExtraBall2
Published on 2026/01/27
BAGS MOVED BY THE WIND
Is this art? Who decides what is art and what isn�t?
Because sometimes you walk into a museum, see a painting that looks like it was made by an eight-year-old kid, read a little plaque underneath with an unpronounceable name and a seven-figure price tag, and in theory you�re supposed to feel amazed.
Random colors, crooked strokes, a concept so deep nobody really understands it but everyone nods seriously, as if they were seeing it crystal clear.
And then you see this guy, a man imitating on the street the movement of plastic bags, papers dragged by the wind, abandoned wrappers spinning around without direction. And you think that if something hanging on a wall is art, then this should be too.
Because what he does is not a joke. It�s observation, it�s precision, it�s turning something ugly, annoying and invisible into a surprisingly beautiful body language.
Shoji Yamasaki is a Japanese performance artist who has been developing a series called Littered Movements for years. He spends minutes watching how a bag moves in the wind, how a paper spins, how a piece of plastic jumps, and then he recreates it with his own body.
But the best part is not the technique, it�s the message behind it. Instead of ignoring trash, he becomes it. Instead of kicking it away, he turns it into the main character. In his Instagram bio he wrote something wonderful: �I will close this account once people stop littering.� His performances exist only because the problem exists.
And then the original question comes back: is this art? If a banana taped to a wall was art, if a blank canvas was art, if four badly painted stains were art, then maybe a man moving like a plastic bag also deserves to be in the best galleries in the world.
In the end, maybe art is not about technique, money or museums. Maybe it�s simply about making you look at something you�ve always ignored in a completely different way.
# Watch video
ExtraBall
My mom when she wanted me to stay still and sit down.
ExtraBall2
(Clicking on these links daily you support ALRNCN's work. They're collaborators or sponsors and, by visiting their sites, they like us even more)
BAGS MOVED BY THE WIND
Is this art? Who decides what is art and what isn�t?
Because sometimes you walk into a museum, see a painting that looks like it was made by an eight-year-old kid, read a little plaque underneath with an unpronounceable name and a seven-figure price tag, and in theory you�re supposed to feel amazed.
Random colors, crooked strokes, a concept so deep nobody really understands it but everyone nods seriously, as if they were seeing it crystal clear.
And then you see this guy, a man imitating on the street the movement of plastic bags, papers dragged by the wind, abandoned wrappers spinning around without direction. And you think that if something hanging on a wall is art, then this should be too.
Because what he does is not a joke. It�s observation, it�s precision, it�s turning something ugly, annoying and invisible into a surprisingly beautiful body language.
Shoji Yamasaki is a Japanese performance artist who has been developing a series called Littered Movements for years. He spends minutes watching how a bag moves in the wind, how a paper spins, how a piece of plastic jumps, and then he recreates it with his own body.
But the best part is not the technique, it�s the message behind it. Instead of ignoring trash, he becomes it. Instead of kicking it away, he turns it into the main character. In his Instagram bio he wrote something wonderful: �I will close this account once people stop littering.� His performances exist only because the problem exists.
And then the original question comes back: is this art? If a banana taped to a wall was art, if a blank canvas was art, if four badly painted stains were art, then maybe a man moving like a plastic bag also deserves to be in the best galleries in the world.
In the end, maybe art is not about technique, money or museums. Maybe it�s simply about making you look at something you�ve always ignored in a completely different way.
# Watch video
ExtraBall
My mom when she wanted me to stay still and sit down.
ExtraBall2
(Clicking on these links daily you support ALRNCN's work. They're collaborators or sponsors and, by visiting their sites, they like us even more)
Published on 2026/01/23
SHUSAKU TAKAOKA 2026
Shusaku Takaoka is a Japanese-born graphic designer with a very distinctive artistic sense. His specialty is mixing the most modern, urban everyday life with classic pop culture and direct references to art history.
Back in 2022 we already dedicated a post to him with some of his work, when he was just starting to get attention for that very personal way of blending worlds that, at first glance, had nothing to do with each other.
Now, in 2026, we�re visiting his Instagram again to see where he�s at and check how his style has evolved, refining even more that contrast-driven approach that has made him so recognizable. Here are some of the pieces that caught my eye the most from his latest posts.
Ordinary scenes, everyday objects and familiar situations� combined with universal icons, famous characters and artworks we all have burned into our memory. The result is images that first make you smile and, a second later, force you to take a second look.
A very smart way to play with the contrast between the old and the modern, the classic and the current, proving that art doesn�t have to be solemn to be brilliant.
# View images
ExtraBall
The slow motion of the day.
SHUSAKU TAKAOKA 2026
Shusaku Takaoka is a Japanese-born graphic designer with a very distinctive artistic sense. His specialty is mixing the most modern, urban everyday life with classic pop culture and direct references to art history.
Back in 2022 we already dedicated a post to him with some of his work, when he was just starting to get attention for that very personal way of blending worlds that, at first glance, had nothing to do with each other.
Now, in 2026, we�re visiting his Instagram again to see where he�s at and check how his style has evolved, refining even more that contrast-driven approach that has made him so recognizable. Here are some of the pieces that caught my eye the most from his latest posts.
Ordinary scenes, everyday objects and familiar situations� combined with universal icons, famous characters and artworks we all have burned into our memory. The result is images that first make you smile and, a second later, force you to take a second look.
A very smart way to play with the contrast between the old and the modern, the classic and the current, proving that art doesn�t have to be solemn to be brilliant.
# View images
ExtraBall
The slow motion of the day.