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Published on 2026/05/07
THE BELL WOMAN AND OTHER THINGS

We can safely say that this week�s biggest internet absurdity is going to be the naked woman acting as a human bell clapper inside a giant bell at the Venice Biennale.

The origin of all this madness is SEAWORLD VENICE, the Austrian pavilion at the 61st Venice Biennale, which feels like some bizarre mix of extreme performance art, dystopian circus, aquatic ritual, and a lost episode of Black Mirror directed by someone who clearly starts the day with psychedelic mushrooms for breakfast.

In the videos you�ll see completely naked women hanging from enormous bells, suspended over artificial rivers, trapped inside giant water-filled cubes, or riding jet skis naked inside installations that look straight out of some very weird post-apocalyptic future.

The mastermind behind this visual insanity is Florentina Holzinger, an Austrian performer famous for pushing the human body to its limits through nudity, acrobatics, pain, physical risk, sexuality, and extreme spectacle.

Apparently, the whole concept revolves around water, the human body, technology, environmental collapse, and vulnerability. Although, let�s be honest, as you�ve probably already guessed, most people online are way too busy trying to process why there�s a naked woman functioning as a human bell inside a giant art installation.



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Deep throat.

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Published on 2026/04/03
HAND-CARVED

There�s something special about hands that work wood slowly. In every cut, in every detail, you can tell there�s no rush�just intention.

Behind these pieces is caricawood, a profile where wood becomes a language. Hand-carved pieces, shaped with a knife, where imperfection isn�t hidden�it becomes part of the charm.





Small sculptures, accessories, forms that move between the abstract and the recognizable. Faces that feel like they come from another reality, figures that don�t try to copy, but to reinterpret.

And among all of them, those silhouettes stand out�no face needed to say everything. Naked bodies, stripped of anything unnecessary, where the lines speak for themselves. Curves that aren�t trying to be exact, but expressive. Some closer to reality, others more free, but all carrying that handcrafted touch that makes them unique.

Perfection isn�t the goal here. It�s about character. Texture. The mark of someone who has spent hours shaping something that, even if it doesn�t exist, still feels real.

Because sometimes you don�t need to show everything for it to work.




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The slow motion moment of the day.

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Published on 2026/01/27
BAGS MOVED BY THE WIND

Is this art? Who decides what is art and what isn�t?
Because sometimes you walk into a museum, see a painting that looks like it was made by an eight-year-old kid, read a little plaque underneath with an unpronounceable name and a seven-figure price tag, and in theory you�re supposed to feel amazed.
Random colors, crooked strokes, a concept so deep nobody really understands it but everyone nods seriously, as if they were seeing it crystal clear.

And then you see this guy, a man imitating on the street the movement of plastic bags, papers dragged by the wind, abandoned wrappers spinning around without direction. And you think that if something hanging on a wall is art, then this should be too.
Because what he does is not a joke. It�s observation, it�s precision, it�s turning something ugly, annoying and invisible into a surprisingly beautiful body language.

Shoji Yamasaki is a Japanese performance artist who has been developing a series called Littered Movements for years. He spends minutes watching how a bag moves in the wind, how a paper spins, how a piece of plastic jumps, and then he recreates it with his own body.
But the best part is not the technique, it�s the message behind it. Instead of ignoring trash, he becomes it. Instead of kicking it away, he turns it into the main character. In his Instagram bio he wrote something wonderful: �I will close this account once people stop littering.� His performances exist only because the problem exists.

And then the original question comes back: is this art? If a banana taped to a wall was art, if a blank canvas was art, if four badly painted stains were art, then maybe a man moving like a plastic bag also deserves to be in the best galleries in the world.
In the end, maybe art is not about technique, money or museums. Maybe it�s simply about making you look at something you�ve always ignored in a completely different way.



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My mom when she wanted me to stay still and sit down.

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